Monday, 15 October 2012

The T'ao T'ieh 3D Model




 I have now completed my 3D model creature. I decided to paint it with acrylics to give it a design rather than having it just as plain wood. I referenced another design that I'd researched previously, which was the image of the two black, Chinese dog ornaments.

 I painted it mostly black and applied small amounts of red and yellow (trademark Chinese colours). I painted it's teeth and claws white to enhance it's monstrous appearance and I painted two huge, round, circular, white eyes with small black pupils drawn with marker pen within each centre. The eyes especially make the creature look somewhat tormented and psychotic.

 Like I've said before, 3D's not my area of choice, but I believe this piece was a successful one: probably my best 3D creation so far.

Friday, 12 October 2012

My Animation Process


 I have almost finished drawing my sequence for the animation!

 To start with, I bought myself a lightbox from Ebay. I positioned two strips of card onto the box creating a right-angle in order to keep the sheets still whilst I drew them. The media process I used was nib and ink due to its success of looking effective in my sketchbooks, as opposed to a standard fine-liner. This effected my choice of paper too, seeing as some qualities of paper would take longer to dry from the ink. So I decided to buy 400 A5 sheets of inkjet printer paper, because the ink would dry relatively faster; however the accidental stains and splodges on the sheets will give the animation a rough edge, which is what I am intending for.

 As soon as I'm finished with these drawings, I will photograph them and start editing within Adobe After Effects.

Thursday, 11 October 2012

A Potential Design


 From the doodles from my sketchbook, I remembered I painted this using watercolours. It depicts my chosen creature in an Oriental style. The colour scheme is typical but appropriate. I believe I will definitely make use of the colour red, seeing how it is connotative with China. This could be a potential influence for the design of my 3D model.

Tuesday, 9 October 2012

My Sequence



 Now that I have developed the character's appearance, I can now develop a narrative for the animation. Doing this I created my own sequence. The two images above are parts of the sequence.

 My style for this is cartoon-like and I have taken influence from various techniques used from the likes of Ren & Stimpy and other cartoons from that era onwards. I've kept it simplistic in the most kinetic parts of the sequence and have put most detail into the facial close-ups. The images above are just parts of a storyboard, not the actual animation.
 I plan not to use colour because I want to stay authentic of how I used to practise drawing when I was a child. Perhaps if it comes to creating another animation in a further project, I'll consider using some colour; but for now it's going to remain monochrome.

 The narrative will host for two characters: the two-bodied dog (the T'ao T'ieh) and the Cheshire Cat. It's a classic cat vs dog scenario: seeing the obvious victim (being the cat) outwit the dog.

Monday, 8 October 2012

John Kricfaluci (Ren & Stimpy)


































 During the early 90s, The Ren & Stimpy Show alongside many others influenced a lot of the work I produced when I was younger. It's crude humour and grotesque qualities fascinated me as a child. Watching them today, I find it hard to believe I was permitted to view them years ago; as they were hosted on the children's channel, Nickelodeon.

 In terms of influence for this and further projects, I find them very useful and nostalgic. My drawings have always adopted this almost surreal nature, and I find it highly appropriate to use this now seeing as I'm creating an animation.

 The images above are screenshots from the animated show and depict the two characters, Ren & Stimpy. Ren is a psychotic chihuahua and Stimpy is a dimwitted cat. Both conflict in personality, in turn creating a dark humorous double-act. The show consists of them both getting into various chaotic situations that they try to get out of, through torturous difficulty. These narratives will influence my own for the animation.

Friday, 5 October 2012

Keith Haring Style 3D Model


 After completing my design for my official 3D model, I just started making a series of doodles using the paintbrush tool on Illustrator. Since Illustrator is vector-based, it gave the drawing a very smooth edge, much to the likings of Keith Haring's work. I made my creature under the influence of Haring and made each of it's limbs separate for the 3D quality. I used rotation pins to stick the body parts together.

Tuesday, 2 October 2012

Character's Environment


 Now I haven't really given this much thought, but what I was thinking was just a vast plain in which the creature can roam about as much as it wants.

 I did a few paintings using watercolour of what it could look like and this one came out most successful. It depicts a sweltering desert where even the sun melts. Depending on how relevant this sort of environment is to the creature, I'm unsure as whether to include it within the animation.